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Fenton Glass
Much of the earliest success of Frank L., Robert C., and John W. Fenton's glass was undoubtedly due to the genius of their first superintendent of glass, Jacob Rosenthal. His formulations were passed on to his son, Paul. Paul Rosenthal worked as the company's factory manager from 1929 to 1949. On his retirement, Fenton bought the rights to some 50 distinctive glass formulas. In the late forties and early fifties, Frank M. Fenton himself, along with Lawrence Badgely and Harold Riggle, took over the duties in the Fenton Laboratory. In 1950, Isaac Willard joined the company and became the "official" glass technologist.
In the 100-year history of Fenton Glass, there are, of course, many different types of what is collectively called "Fenton". Some collectors focus on the earliest carnival glass, others prize the opalescent lines of the depression years, others collect exclusively Fenton milk glass or Fenton hobnail.
Here is a brief synopsis of the various Fenton lines and molds.
Fenton Carnival (iridescent) Glass
Over 130 known patterns were made using carnival glass in a variety of colors. Carnival glass was made by applying a coating of iridescence over a base glass. Different effects could be made depending on the particular combination of base glass color with the color of the iridescent coating. It is necessary to hold the glass up to a bright light to even attempt to guess at what the base color may be.
In general, the most vivid colors produced by Fenton using this method were:
Cobalt Blue; a dark, deep blue
Blue; ranging from pale to the Cobalt Blue shade
Amethyst; a rich purple color
Red; a deep, redder-than-red
Marigold; yellow-orange color
Amberina; a blending of red and yellow-gold color
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